Guitar Noise

We started learning about modes last time. Let’s pick up the trail again, and explore some fundamental questions about modes.

First, we noticed how playing a scale a certain way can be just like expressing the same feeling of a chord. We played the C major scale starting from note A and ending on A, and got the feeling of an Am7 chord.

But how do we use modes? When do we use them? And how do we practice them?

You can use modes when you don’t have a playalong partner like a bassist or recording, and you need to hear a certain chord. You’re tired of playing the same old chords, so you do what horn players do: they play arpeggios or play modes.

Here’s an example:

First, the chords:

|-----------|-1----1----|-1----1----|-----------|
|-1----1----|-3----3----|-0----0----|-1----1----|
|-0----0----|-2----2----|-0----0----|-0----0----|
|-2----2----|-0----0----|-----------|-2----2----|
|-3----3----|-----------|-----------|-3----3----|
|-----------|-----------|-----------|-----------|

Now, the modes to achieve the same basic feeling as the chords. These are all eighth notes, but bars 2 and 4 have eighth note rests on the last eighth note.

 E E E E E E E E   E E E E   E E E E
|-----------------|--------------------|
|-----------------|-3------------------|
|-----------2-4-5-|---4-5--------------|
|-----2-3-5-------|-------5---3-2------|
|-3-5-------------|----------------5---|
|-----------------|--------------------|

 E E E E E E E E   E E E E  E E  E E
|-------------1-5-|-3--------------------|
|---------3-5-----|---5------------------|
|---2-4-5---------|-----5-4--------------|
|-5---------------|----------5-----------|
|-----------------|------------5--3------|
|-----------------|----------------------|

To hear more clearly how these modes work, play the chord associated with each measure, both before and after you play the measure. Example, play the C major chord before and after bar 1.

Thanks for reading.

Copyright © 2007 Darrin Koltow

This first appeared in the Guitar Noise News - December 15, 2005 newsletter. Reprinted with permission.