Determining the Key of a Song (Part 1)

Oct17

Okay, since we’re talking a lot about playing songs with other people, I couldn’t have asked for a better question to use! Here we go:

Hello David;

I have a question for you – how can you tell what key a song is in? I thought that it was in the key of the first note or chord of the song, but that does not seem to hold true. I have a Fender GDEC Amp that has drum and bass background and there is a key switch to set what key the song is in. At times if I set it to the first chord the bass sounds fine, but at other times the bass notes seem not to match the chord I would be playing, so I am wondering if I am wrong for how to tell what key the song is in. I also have a song book that all the songs are suppose to be in the key of C, but some songs start with a Am chord or a F chord, etc.

Hope you can help me with this question, I really enjoy the Newsletter and the Pods that you and the people at Guitar Noise put out. Keep up the good work; it has helped me and, I am sure, many others.

Thank you.

Right off the bat, we need to establish a few things. What do we mean when we talk about the key of a song? This alone is something that many people quibble about. Let’s go with the obvious answer first – if you have a piece of sheet music (music notation, not just guitar tablature), then the key of a piece of music is given to you right at the start. It’s called the key signature, and you’ll find it just after the clef at the beginning of a line of music, like this:

Here you can see three flat symbols (they look like slightly squashed “b”s), which indicates that this particular piece is in Eb. You can find all twelve possible key signatures listed out for you in Your Very Own Rosetta Stone, as well as other articles on the Guitar Noise Beginners’ Lessons page.

Recognizing the key signature, though, is just one part of the puzzle, one we’ll return to in a moment after we deal with how to determine the key of a song when we don’t have the music handy.

And, naturally, this too requires a small diversion. Remember that music theory is never meant to be an answer as much as it is an explanation of why things are the way they are, music-wise – why we like certain combinations of sounds, why some chord progressions just seem meant for each other, things like that. There will always be exceptions to any “general rule,” sometimes thousands of them. That’s just the way it is.

Back on track – if you go on the assumption that the starting chord of any given song will be the key of your song, you will often be correct. Often enough to beat the house, in fact. But there are, as you’ve pointed out, more than enough exceptions that make using this method as a way to determine the key of a song questionable.

One of our old Guitar Columns at Guitar Noise, titled Five to One, explains keys as “feeling at home,” or having the sensation that it’s okay for a song to end at a particular place. Even more than the starting chord, the final chord should give one the satisfaction that the song has played out to a final conclusion. So if you look for the final chord of the song as being your indicator for the key to the song, you’ll do even better than you would by going by the first chord. Better still if the beginning and ending chords are the same.

But none of this is foolproof. Even having the key signature can occasionally put you on the wrong path. And we’ll pick up from this point next time…

Peace

If you’ve got any questions, we at Guitar Noise are always happy to answer them. Just send any of your questions to David at dhodgeguitar@aol.com. He (or another Guitar Noise contributor) may not answer immediately but he will definitely answer!

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About David Hodge

Since joining Guitar Noise in November 1999, David has written over a thousand articles, lessons, interviews and reviews. He also serves as the site's Managing Editor, supervising all content in addition to the continued writing of his own lessons and articles. In April 2013, David joined the writing staff of Answers.com, heading up their Guitar Pages. And if that wasn't enough to keep him busy, David contributes to regularly Acoustic Guitar Magazine. He is also the author of six instructional books, the most recent being Idiot’s Guide: Playing Guitar.

Comments [2]

  1. shizzynizzo says:

    3 flats could also be c minor, or the song could modulate to a related key without changing key signature.

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