Scales To Use For Soloing Part II
We’re looking at scales to use for soloing. Here’s the progression we’re working with
||: C major, A minor, D minor, G7 :||
Last week we improvised over these chords using the C major pentatonic (see Scales To Use For Soloing for details, including the pentatonic pattern we used).
Is the C major pentatonic the only scale you can use over a progression in C major?
Thankfully, no. We have many choices. Listen carefully to how this next scale plays over the aforementioned changes. This is the G major pentatonic:
|----------------------3-5----| |------------------3-5--------| |--------------2-4------------| |----------2-5----------------| |------2-5--------------------| |--3-5------------------------|
The G major pentatonic has none of the notes — F and C — that could cause unacceptable dissonances. Specifically, the F, if present, would clash over a C major and A minor chord, and the C, if present, would clash over a G major and E minor chord.
Let’s generalize this finding so we can play in other keys: if you know a phrase or progression or sub-progression is going to stay within a major key and not stray outside it, instead of playing the major pentatonic from the root of the key center (e.g. C penta within C major), play the major penta from the V of the key center (e.g. G penta). For D major, this means you would use the A major pentatonic pattern, and for G major, you’d use the D major pentatonic pattern.
Next time: improvising with the Blues
Copyright © 2007 Darrin Koltow
This first appeared in the Guitar Noise News – September 1, 2005 newsletter. Reprinted with permission.
What a losy explanation!!! to newbies this is just a bunch of crap that only the author understands! how frustrating. there’s no explanation AT ALL here!!
I know that we can play a minor relative scale for any given major but HOW COME we can use the “major penta from the V of the key center”?? Why is this? Like I said, there’s NO explanation of logic behind it!