Dogbite, I think the original did not quite catch the feeling that you were able to get to come through. I thought the original to be too bound or rigid for what it was. If he did that style to a typical love song of some sort, then it would have been over-board. Doing it to a song like this was not enough. Kind of hard to explain. Regardless, I thought it, meaning what you did, caught the aingst quite nicely.
Don, the bass line drove it nicely.
Don, I remember you were having issues with the organ VI. I'm not sure what they were, but I dug the approach of harmonizing in some spots and biting through in others.
OK, so this is in the studio section which means we get to hear some tips and tricks or strategies that helped polish the song off, right? I would put you guys on the spot. Was there a maximiser or some other general effect on the master used that gave it a bit of extra snap or anything? I'm really digging the way it sounds.
Randy, on a guitar note, I love that lead tone that's ramping up in places, like at about the 2:00 mark or so. Care to share the secrets?
