Guitar Noise

I had the honor of playing this twice at different shows with Nick, Kathy, Greg and others in the past month and a half. It’s a beautiful song that beginners can play easily and it doesn’t take all that much to add some very nice touches to it for a solo arrangement. Plus, it offers a good look at how to “cheat” on quick chord changes.

You never know who you’re going to meet in life. And, given the way things are these days, you also never know who you’re not going to meet yet still get to know and appreciate. Joining FODFest the past two years has hammered home, to me at least, the point that every life can make a difference in this world.

Guitarists nowadays think of rhythm in terms of “up” and “down,” the motions of strumming, instead of thinking of rhythm in much simpler terms - numbers and counting. In this, the first of a series of four articles, we begin to hone our strumming techniques so that any rhythmic pattern will be within our grasp.

Last time out we sampled the different flavors the major and minor pentatonic scales offered us as tools for soloing over blues progressions. While each had its owns merits, we can create an even more tasteful (not to mention useful) solo when we combine the major scale with the blue note elements of its own minor pentatonic. Come listen!

This an intermediate level lesson for those of you who use only a guitar pick and would rather not work on finger-style playing, but would still like to play a complete song arrangement on your instrument. So here is the classic jazz standard, “Autumn Leaves,” from Peter to you.