Guitar Noise

Is it better to practice a piece slowly at first or quickly? Teachers and players usually recommend slowly, but there are instances where fast might work. Jamie explores why both methods work, but more importantly details how to recognize and determine when one method is better than the other.

If you know how to read notation, specifically the rhythm values of notation, you never have to worry about figuring out strumming patterns because everything is spelled out for you. In this lesson, we’ll use the main guitar parts from Jack Johnson’s song “Taylor” to demonstrate how easy strumming can be.

Practicing the electric guitar can be problematic in the best of situations, and downright hard when you have to worry about your volume levels. Mark Mills returns to the pages of Guitar Noise with a very cool solution that lets you practice at a more than reasonable volume while not disturbing either your family or your neighbors.

How many times have you done something absolutely fast in practice only to flub it in a “real” situation, like playing with your band or just jamming with your friends? Tom outlines and explains seven simple steps to help you work on developing your speed on the fretboard straight away and also to be able to keep that speed you perfect in practice when you perform.

Here is a beautiful song from songwriter extraodinaire John Prine. This is another arrangement that most beginners can handle, plus we get into some discussion about choosing keys and chord voicings when creating arrangements. And you also get to hear how easy it is to turn this into a simple two-guitar arrangement.

If you’re traveling along the paths of learning guitar, you will eventually find yourself at a plateau in your learning. Longtime Guitar Noise Contributor, Jamie Andreas of Guitar Principles, explains why simply changing the way you look at being on a plateau, looking at it with the eye of a Guitar Master, can help you move forward in a short time.

This is kind of a “two in one” lesson with a look at rhythms and string muting as well as some work on simple barre chords and the importance of good positioning when it comes to playing riffs, even very simple ones like those used in this song! And I’ve also included a “barre chord free” arrangement for those whose barre chords still need practice.

Creating memorable live performances can help you get more gigs and can bring more people to those gigs. Here are some great tips from Tom Hess on how to rehearse for all the aspects of performing live.

Coming up with single guitar chord melody arrangements can be a lot of fun, if for no other reason than sometimes you end up with something totally different than what you first set out to do. Case in point – this lesson on the old Christmas carol Away in a Manger.

Today, I’d like to offer up a fingerstyle / chord melody take on I’ll Be Home for Christmas, a song from the 1940’s that’s been sung by almost everyone, it seems. Hopefully our Guitar Noise arrangement will become part of your holiday song repertoire.

In his latest article, Tom explores some of the problems that beginners tend to have making and changing guitar chords. Whether you’re a guitar teacher or just someone starting out on the guitar, you’ll find some very valuable tips here on how to go about practicing chord changes.

Sometimes a simple sounding fingerstyle acoustic guitar part takes a bit of thought and tinkering to create. David looks at how to go beyond the chords offered up on a typical Internet tab sheet in order to get more of the flavor of the original recording of this great Mark Knopfler song.

Many guitarists consider practice and performance to be distinct activities. Gerald Klickstein, author of the new book The Musician’s Way, shows how they can be combined into an inclusive creative process.

Quite often, guitarists solo as if they are paid by the note, totally ignoring phrasing and melody, two key aspects of soloing. Tom Hess gives us a terrific lesson on phrasing, complete with video!

First time contributor Dmitry details the work and thought process involved on taking one’s guitar along a trip, using his latest vacation as an example of how well things can work out!

Creating chord melody arrangements can be addictive! And you can start out as easy or as complicated as you’d like. Brandon Carrasco takes us step by step through his first time out, turning this timeless lullaby into a wonderful single guitar piece.

Here is Hank’s second Guitar Noise lesson, an accompaniment to “What a Wonderful World” as performed by Louis Armstrong. He draws on some of the ideas used in his first arrangement, “Smile”, and provides some nice movement in the bass line. Since this is an accompaniment arrangement designed to support vocals, most of the chord voicings will incorporate the melody note on the upper strings.

Here is my very first arrangement, a finger style chord melody of the beautiful Charlie Chaplin tune “Smile.” Walking through the process step by step, you’ll see how an initial “busy” arrangement consisting mainly of eighth notes and arpeggios was pared down to make it easier to play and to allow room for some nice movement in the bass line.

If you have read Nick Minnion’s article “Could You Teach Guitar?” and finished with a resounding “Yes!” then the next question is “How?” This article hopes to answer that question with a detailed look at how to teach the all-important first lesson.

We’ve gotten a lot of questions about how to turn a song into a single guitar arrangement and the first part of the answer is that you have to learn the song! In this lesson we break down this White Stripes’ song into its component parts – bass, rhythm and lead (learning them on the electric guitar) – so that we can later create a single acoustic guitar arrangement of this song.