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David Hodge

Since joining Guitar Noise in 1999, David has written over a thousand articles, lessons, interviews and reviews here. He also serves as the site's Managing Editor, supervising all content in addition to the continued writing of his own lessons and articles. And if that wasn't enough to keep him busy, David is also the author of seven instructional books, the most recent being Idiot’s Guide: Guitar Theory.

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3 Comments

  1. Chris
    June 4th, 2013 @ 6:24 pm

    Hey David,

    If your playing in C Dorian would the C chord have to be minor because its parent scale “Bb major” has an Eb?
    Thus, creating C Eb G.

    Doesn’t that make combining C Mixolydian with the C minor pentatonic more flexible? Because that would contain a major third and minor third (E and Eb).

    I noticed when I play, I’ll use

  2. Chris
    June 4th, 2013 @ 6:27 pm

    I noticed when I play something like that, I use the blues scale but also the major notes from C Mixolydian. Is there a name for this? I’m confused because combining these two scales I have a whole bunch of notes to choose from.

    • Rob
      March 27th, 2016 @ 4:39 am

      Hi Chris. I know what you mean. I experimented with dropping in the E when playing the C chord and then went back to Dorian for the rest. However to my ear I preferred the sound of Dorian throughout, playing the minor third over the C chord. Real interesting lesson that has made a lot of the theory more practical for me.