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	<title>Guitar Noise &#187; soloing and improvisation</title>
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		<title>How To Make A Great Guitar Solo</title>
		<link>http://www.guitarnoise.com/lesson/make-a-great-guitar-solo/</link>
		<comments>http://www.guitarnoise.com/lesson/make-a-great-guitar-solo/#comments</comments>
		<pubDate>Mon, 02 Nov 2009 16:15:15 +0000</pubDate>
		<dc:creator>Special to Guitar Noise</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[video lessons]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/?p=2717</guid>
		<description><![CDATA[Quite often, guitarists solo as if they are paid by the note, totally ignoring phrasing and melody, two key aspects of soloing. Tom Hess gives us a terrific lesson on phrasing, complete with video! ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Taking Care of Choices &#8211; Turning Scales into Solos &#8211; Part 8</title>
		<link>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-8/</link>
		<comments>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-8/#comments</comments>
		<pubDate>Wed, 13 May 2009 02:34:42 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[turning scales into solos]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/?p=2005</guid>
		<description><![CDATA[In our latest lesson in this series, we look at a basic rock progression and examine the choices we can make in terms of scales for soloing. Plus we get a look at the Mixolydian mode as well as discovering a new use for the Dorian.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>The Magic Triangle Of Musicianship</title>
		<link>http://www.guitarnoise.com/lesson/magic-triangle-of-musicianship/</link>
		<comments>http://www.guitarnoise.com/lesson/magic-triangle-of-musicianship/#comments</comments>
		<pubDate>Wed, 01 Apr 2009 08:21:28 +0000</pubDate>
		<dc:creator>Nick Minnion</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[education]]></category>
		<category><![CDATA[practice tips]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[songwriting]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/?p=1846</guid>
		<description><![CDATA[Let's offer a warm "welcome back" to Nick, who brings us a look at the interlocking relationship of three important creative aspects of musicianship - improvising, composing and transcribing - and how you can use them to move up from being someone who just dabbles with the guitar to a serious musician.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Sustaining Interest in a Target &#8211; Turning Scales into Solos &#8211; Part 7</title>
		<link>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-7/</link>
		<comments>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-7/#comments</comments>
		<pubDate>Mon, 16 Mar 2009 02:14:55 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[turning scales into solos]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/?p=1820</guid>
		<description><![CDATA[Before moving onward with modes, it's important to grasp the concept of "target" notes as well as to understand that a target note doesn't have to be a part of the chord in a chord progression. Here we'll look at how single notes can used to create far more interesting solos than simply using "safe" notes.]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Targeting a Mode &#8211; Turning Scales into Solos &#8211; Part 6</title>
		<link>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-6/</link>
		<comments>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-6/#comments</comments>
		<pubDate>Mon, 15 Dec 2008 13:37:34 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[turning scales into solos]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/?p=1545</guid>
		<description><![CDATA[Knowing a single major scale opens the world of modal soloing to you, if you know how to read the signs. We'll take a look at how to recognize when to use the Dorian scale, and also take a moment or two to compare and contrast it with the minor pentatonic scale.
]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Color Me Blue &#8211; Turning Scales into Solos &#8211; Part 5</title>
		<link>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-5/</link>
		<comments>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-5/#comments</comments>
		<pubDate>Sun, 02 Nov 2008 06:57:07 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[turning scales into solos]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/?p=1433</guid>
		<description><![CDATA[It only takes a single note to change the minor pentatonic scale into the “blues scale.” And what a world of difference that one note can make! As in the previous lessons in this series, we’ll provide you with MP3 sound files in order to help you create your own solos.]]></description>
		<wfw:commentRss>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-5/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Combining The Major Scale With The Minor Pentatonic &#8211; Turning Scales into Solos &#8211; Part 4</title>
		<link>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-4/</link>
		<comments>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-4/#comments</comments>
		<pubDate>Mon, 15 Sep 2008 11:00:18 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[turning scales into solos]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/?p=1258</guid>
		<description><![CDATA[Last time out we sampled the different flavors the major and minor pentatonic scales offered us as tools for soloing over blues progressions. While each had its owns merits, we can create an even more tasteful (not to mention useful) solo when we combine the major scale with the blue note elements of its own minor pentatonic. Come listen!]]></description>
		<wfw:commentRss>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-4/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>The Major and the Minor &#8211; Turning Scales into Solos &#8211; Part 3</title>
		<link>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-3/</link>
		<comments>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-3/#comments</comments>
		<pubDate>Mon, 25 Aug 2008 06:22:50 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[turning scales into solos]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/?p=1223</guid>
		<description><![CDATA[While it's vital to use a chord progression to help you decide on a scale, knowing the style or feel of both a song and a scale is just as important. This lesson focuses on the minor pentatonic scale and why it is used so much for blues (and other genres) in major keys.]]></description>
		<wfw:commentRss>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-3/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>One Note At A Time &#8211; Turning Scales into Solos &#8211; Part 2</title>
		<link>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-2/</link>
		<comments>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-2/#comments</comments>
		<pubDate>Tue, 01 Jul 2008 08:55:29 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[turning scales into solos]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/delta/?p=1106</guid>
		<description><![CDATA[After spending our last lesson looking at all the notes in a scale, this time we're going to just look at a few. One of the best things you can do to get going as a soloist is to minimize the number of notes you use in a solo. Focusing on one, two, three or four notes will help you on both rhythm and phrasing, which make a solo a lot more interesting than just stringing as many notes together as fast as you can.]]></description>
		<wfw:commentRss>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Scales and Soloing FAQ</title>
		<link>http://www.guitarnoise.com/help/scales-and-soloing/</link>
		<comments>http://www.guitarnoise.com/help/scales-and-soloing/#comments</comments>
		<pubDate>Tue, 24 Jun 2008 11:08:19 +0000</pubDate>
		<dc:creator>Guitar Noise Staff</dc:creator>
				<category><![CDATA[Help]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/delta/?p=1086</guid>
		<description><![CDATA[This page answers your questions about scales and includes some examples of how you can use them to spice up your playing.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Choosing Colors &#8211; Turning Scales into Solos &#8211; Part 1</title>
		<link>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-1/</link>
		<comments>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-1/#comments</comments>
		<pubDate>Mon, 23 Jun 2008 12:26:43 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[turning scales into solos]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/delta/?p=1104</guid>
		<description><![CDATA[Putting together solos is not easy for a lot of people, and the conventional teaching ("just use your scales") doesn't always make sense when you're just starting out. In this, the first of a series of articles, we take a listen to the differences in tonal color between the major scale and the major pentatonic.]]></description>
		<wfw:commentRss>http://www.guitarnoise.com/lesson/turning-scales-into-solos-part-1/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>A Beginner&#8217;s Guide to Soloing &#8211; Part 2 &#8211; Stretching Out</title>
		<link>http://www.guitarnoise.com/lesson/beginners-guide-to-soloing-part-2/</link>
		<comments>http://www.guitarnoise.com/lesson/beginners-guide-to-soloing-part-2/#comments</comments>
		<pubDate>Fri, 28 Dec 2007 08:00:21 +0000</pubDate>
		<dc:creator>Josh Urban</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[beginner]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/delta/lessons/stretching-out-soloing-part-2/</guid>
		<description><![CDATA[In his follow up to the basics of soloing, Josh demonstrates the major scale and the pentatonic and their usefulness in helping you improve your lead playing.]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Beginner&#8217;s Guide To Soloing</title>
		<link>http://www.guitarnoise.com/lesson/beginners-guide-to-soloing/</link>
		<comments>http://www.guitarnoise.com/lesson/beginners-guide-to-soloing/#comments</comments>
		<pubDate>Sun, 28 Oct 2007 08:00:49 +0000</pubDate>
		<dc:creator>Josh Urban</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[beginner]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/delta/lessons/a-beginners-guide-to-soloing/</guid>
		<description><![CDATA[Josh Urban takes you  through the very first steps of soloing, making the process a little less mysterious than many of us think it is! And less scary, too...]]></description>
		<wfw:commentRss>http://www.guitarnoise.com/lesson/beginners-guide-to-soloing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Repetition Rocks</title>
		<link>http://www.guitarnoise.com/lesson/repetition-rocks/</link>
		<comments>http://www.guitarnoise.com/lesson/repetition-rocks/#comments</comments>
		<pubDate>Thu, 20 Jul 2006 08:00:23 +0000</pubDate>
		<dc:creator>Doug Sparling</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/delta/lessons/repetition-rocks/</guid>
		<description><![CDATA[Our favorite arranger of Celtic music takes a short summer vacation and brings Guitar Noise readers a little bag of rock guitar riffs based on repeated phrases of notes. These are easy, fun and will add some spice to your soloing. Enjoy!]]></description>
		<wfw:commentRss>http://www.guitarnoise.com/lesson/repetition-rocks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Rock On!</title>
		<link>http://www.guitarnoise.com/lesson/rock-on/</link>
		<comments>http://www.guitarnoise.com/lesson/rock-on/#comments</comments>
		<pubDate>Mon, 25 Apr 2005 08:00:04 +0000</pubDate>
		<dc:creator>David Wagle</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/delta/lessons/rock-on/</guid>
		<description><![CDATA[The rock solo is in some ways the quintessential guitar sound. The dream of playing one really great solo is more or less why we keep strapping up and plugging in. Since the number of really great guitarists is much greater than the length of time given to write an article, we'll focus here on a few really fantastic players and then discuss how those players inspire us.]]></description>
		<wfw:commentRss>http://www.guitarnoise.com/lesson/rock-on/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blues Solo Improvisation &#8211; A Basic Introduction</title>
		<link>http://www.guitarnoise.com/lesson/blues-solo-improvisation/</link>
		<comments>http://www.guitarnoise.com/lesson/blues-solo-improvisation/#comments</comments>
		<pubDate>Tue, 04 Jan 2005 08:00:42 +0000</pubDate>
		<dc:creator>Arjen Schippers</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[blues]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

		<guid isPermaLink="false">http://www.guitarnoise.com/delta/lessons/blues-solo-improvisation-a-basic-introduction/</guid>
		<description><![CDATA[Arjen has an ambitious project for the New Year - a series of pieces on improvisation. This first lesson introduces the form of the twelve bar blues, the minor pentatonic scale and the blues scale. There are exercises and even some MIDI backing tracks that you can practice along with!]]></description>
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		<title>Preparing To Climb &#8211; or, So I Know A Scale. Now What?</title>
		<link>http://www.guitarnoise.com/lesson/preparing-to-climb/</link>
		<comments>http://www.guitarnoise.com/lesson/preparing-to-climb/#comments</comments>
		<pubDate>Sat, 28 Feb 2004 08:00:23 +0000</pubDate>
		<dc:creator>David Hodge</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[guitar columns]]></category>
		<category><![CDATA[guitar lessons with audio]]></category>
		<category><![CDATA[scales and modes]]></category>
		<category><![CDATA[soloing and improvisation]]></category>
		<category><![CDATA[song arrangement]]></category>

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		<description><![CDATA[Let's take some of the things we've discussed in past columns and see them put to good use. If you'd like, you can even learn how to play Lindsay Buckingham's solo from the original recording of Landslide. But you've got to promise to learn something.]]></description>
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		<title>Improvisation for the Fingerstyle Guitarist II</title>
		<link>http://www.guitarnoise.com/lesson/improvisation-for-the-fingerstyle-guitarist-2/</link>
		<comments>http://www.guitarnoise.com/lesson/improvisation-for-the-fingerstyle-guitarist-2/#comments</comments>
		<pubDate>Sun, 21 Dec 2003 08:00:10 +0000</pubDate>
		<dc:creator>Gilbert Isbin</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[fingerstyle]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

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		<description><![CDATA[Guitar Noise favorite Gilbert Isbin brings us a second lesson in finger-style guitar. In this piece, we use the first phrase of Jimi Hendrix's classic <em>Little Wing</em> to learn about finger positioning and developing improvisational skills. ]]></description>
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		<title>More On Soloing</title>
		<link>http://www.guitarnoise.com/lesson/more-on-soloing/</link>
		<comments>http://www.guitarnoise.com/lesson/more-on-soloing/#comments</comments>
		<pubDate>Fri, 07 Nov 2003 08:00:33 +0000</pubDate>
		<dc:creator>Randell Young</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

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		<description><![CDATA[Randell's second piece for Guitar Noise delves into the nuts and bolts of creating interesting solos. He has a refreshing philosophy on the subject, and I think you'll appreciate his quality over quantity approach. Learn why speed isn't always your best friend and that having a melody will ultimately be more important than flying through a scale.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Approaching Single Note Improvisation &#8211; from a different perspective</title>
		<link>http://www.guitarnoise.com/lesson/single-note-improvisation/</link>
		<comments>http://www.guitarnoise.com/lesson/single-note-improvisation/#comments</comments>
		<pubDate>Thu, 27 Feb 2003 08:00:21 +0000</pubDate>
		<dc:creator>Mark Yodice</dc:creator>
				<category><![CDATA[Guitar Lessons]]></category>
		<category><![CDATA[soloing and improvisation]]></category>

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		<description><![CDATA[Here's a thoughtful, step-by-step guide to improvisation based upon chord shapes. It's a terrific way for the solo player to learn the fretboard.]]></description>
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