This one should be interesting
Who needs a signature?
I mean really...
It's almost always lyrics...
or a cliche...
or garbage about me...
Lets just save YOU from the pain, ok?
I voted for hybrid because it's the only type i've played besides my practice amp at home, which is an old solid state.
Steve-0
I love to have a Vox AC30! 8)
Dan
"The only way I know that guarantees no mistakes is not to play and that's simply not an option". David Hodge
Nothing compares
Nothing compares
To Tuuuuube
"The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side." -- HST
which of those lovely categories does my lovely Fender HRD fit under?
which of those lovely categories does my lovely Fender HRD fit under?"All Tube Class A/B Push Pull"
Silly poll.
"A cheerful heart is good medicine."
It's all tube. Pretty sure class A single ended.
Who needs a signature?
I mean really...
It's almost always lyrics...
or a cliche...
or garbage about me...
Lets just save YOU from the pain, ok?
Examples of single ended Class A amps are: Fender Champ. Epiphone Valve Junior. Higher powered amps with paired output tubes are usually Class AB1, push-pull.
"A cheerful heart is good medicine."
Voted for non-modelling solid-state - but then I use a modelling processor in front of the amp, and I use models of tube amps. Why not just use a tube amp, like the AC30 I had for years? SS is a bit cheaper, much lighter, (potentially) more reliable, and I can have a choice of 11 amps, yet only carry one 8) I'd have to carry some kind of pedalboard anyway, since I need to use FX on at least some numbers in almost every gig. (In the old days I had a big mess of analog stomp boxes!)
PS I actually do like the sound of a good solid-state amp (mine's a Fender) running clean, esp for jazz...
Voted for non-modelling solid-state - but then I use a modelling processor in front of the amp, and I use models of tube amps. Why not just use a tube amp, like the AC30 I had for years? SS is a bit cheaper, much lighter, (potentially) more reliable, and I can have a choice of 11 amps, yet only carry one 8) I'd have to carry some kind of pedalboard anyway, since I need to use FX on at least some numbers in almost every gig. (In the old days I had a big mess of analog stomp boxes!)
PS I actually do like the sound of a good solid-state amp (mine's a Fender) running clean, esp for jazz...
Same here man. My fender has a great clearn, awesome reverb and chorus. Useless overdrive, so I got a V-Amp. Tons of choices, light, reliable, a bunch of plus.
Vacate is the word...Vengance has no place on me or her...Cannot find a comfort in this world.
i would vote in the poll but i'm not sure that the Roland Micro-Cube falls under any of the categories but hey the Micro-Cube is a really cool amp i own one and the sounds you can get out of it are awesome you've basically got a pedal built into your amp it is soo cool i would recommend it to anyone looking for quite a cheap amp that sounds really good 8)
...It's Somthing unpredictable, But in the end is right, I hope you have the time of your life...
----I Am The American Idiot---- <-------You have been warned
ditto on the cube, bought one to take one the road with me, and i'm totally impressed.
even god loves rock-n-roll
The Cube rules :lol: awesome sound
...It's Somthing unpredictable, But in the end is right, I hope you have the time of your life...
----I Am The American Idiot---- <-------You have been warned
RP 100 modeler with Crate Taxi for practice. Pretty flexable practice set-up.
Traynor Mark III combo, all tube great crunch combo. Bar and jam size but a bit heavy.
Orange Overdrive into a 1960 marshall cab, Pest extermination, Annoying neighbor evictor, Paint stripping, groupie stripping, window glass removal...etc 8) :twisted:
When I die, I want to go peacefully in my sleep like my grandfather, not screaming......
like the passengers in his car.
Whatever is availlable. When recording I'd much rather use digital, it's just plain easier to record a good digital sound then record a proper tube sound. Espescially if you aren't a sound engineer and live in a mini-appartment. But I wouldn't mind getting an AC30 or a fully solidstate JC120. And you can always combine them into one sound.
