Well what I mean is that tonally there are many more ways of thinking about things than as being in separate keys. You could write a melody that didn'...

If that was "all of music" I'd have sold my guitar a long time ago.

Also, try mixing chords from the parallel minor into a progression.For instance, you have C major.C - Dm - Em - F - G - Am - Bm(b5)Then you have C min...

I got a cruddy acoustic for my 16th birthday and didn't really bother with it for about 6 months.Then I discovered Ween, and I learned to play by play...

I would play the 3rd, b7th, and 13th. Agreed. You can't go without the 3 or b7, and it wouldn't be much of a 13 chord without the 13th now, would it?...

Vic, that is the whole song if you don't count the times where he plays the riff and changes one or two of the notes.I'll expand on this for you, but ...

I just wanted to point out that just as B° is G7 without the G, B°7 is G7b9 without the G. That's what I was trying to say in my post, but I went of...

all a V7 chord is.. is a note with a dim chord added on it..B dim = B D FG7 = G (+ B D F) also notice the similarities between...B°7 = B D F Ab(G#)E...

I put together a quick example of one way that I modulate. It uses both ii-V-I (circle of fifths) and secondary dominants, modulating up a b3 every f...

I don't have any original ones. The only ones I can think of offhand are:The pivot ones (ie | G Bm C D | A F#m D Bm | D F#m D A | E A B C#m | A etc) w...

I think he meant with an unflatted 7. In that case, I'd say Cmajor7#5 in C.

im confused as to why the 2nd and 6th notes sound bad when played with the toniclikeA minor, (ACE) B and F are removed.. why is this again? I could ...

If you were soloing in the key of G, you'd use modes relative to the key of G (G ionian, A dorian, B phrygian, etc). If you're only playing in one key...

I have been told before that any penatonic and mode can be played over eachother or together. Is this true? No.Well they can be played together if y...

Give me the url for it and I'll shrink it for you.