DylanJoni MitchellBowieZappaLou ReedPete TownshendBilly JoelBilly CorganNick DrakeLennon/McCartneyoff the top of my head
It would seem the easiest way to switch moods is go from major to minor. . . Within, for example, a solo, would you just switch to the relative minor ...
I think you just need to get used to the sound of modes, a good exercise would be playing parellel modes, for example: playing a c major scale and the...
I don't bother actually holding the chord shapes for that song, it's easy enough as is, and it's played slowly enough that I can easily move to hit al...
I think it's all a question of where you want to go as a musician. A lot of people seem to put a big mental barrier between "rhythm" and "lead" guitar...
An arpeggio is a 'broken chord'. If you strum a chord one string at a time, you get an arpeggio... but that's not the way people practice arpeggios.T...
Thanks!Oh, and I didn't mean using D melodic minor for the whole progression, just the Dm part.
Get some Jamey Aebersold CDs to practice with.It's hard to learn to sound jazzy unless you're working with jazz (ii-V-I etc.) progressions.Thanks for ...
That was the answer I was expecting, and the one I least wanted to hear. :(
I don't understand why the D, E, and A chords must be minor and the B diminished (if that's what that symbol means).So if you were to play D, E, and A...
Well I think I sort of found what I was looking for. I got a Boss SD-1 super overdrive pedal and it does a pretty good job of replicating the tone I w...
I hate this! One day I'll think I'm doing really well and the next I can't even do scale runs.