I've got a capo coming and would like tips on using one. I mainly got it because some songs I want to learn require one but would also like to understand WHY it is used.
From my limited understanding, its main goal is to change the key you are playing in, right? I also have gathered that it allows you to use chords you are more familiar with yet play in a different key. Is that right? So does that mean say, you could use an open D chord shape but it would be a different chord? Just a tad confused.
Any insight much appreciated.
Jason
"Rock And Roll Ain't Noise Pollution"
think of a capo as a movable nut....if you're in standard EADGBE tuning and put a capo on at the 2nd fret, you'll now be in F#BEAC#F# tuning....strum a D chord shape, what you'll actually hear is an E chord....
A capo will come in handy for a chord progression like B/Abm/E/Gb7....stick a capo on the fourth fret and play G/Em/C/D7...
basically, it allows you to play the same chord shapes in different keys...
:D :D :D
Vic
"Sometimes the beauty of music can help us all find strength to deal with all the curves life can throw us." (D. Hodge.)
It can also be handy when you have several guitars going and you want to change the pitch of one or two.
But Vic's reason is the most common.
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Steely Dan
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Ok, that makes sense. Thanks guys!
I look forward to playing around with it.
Jason
"Rock And Roll Ain't Noise Pollution"
Remember to place the capo as close to the actual fret as possible to avoid fret buzz, but I'm shure you've already thought of that.
"Talent is luck. The important thing in life is courage."
Remember to place the capo as close to the actual fret as possible to avoid fret buzz, but I'm shure you've already thought of that.
I'm sorry, but I have to disagree with that. If you don't get fret-buzz with your finger in the middle of the frets, a capo won't cause it either. The capo is no different to a finger, in a barre chord - it doesn't need to be right up to the fret. In fact, if you have medium/jumbo frets, putting the capo too close to the fret will probably cause the strings to go slightly sharp. You'll also need more pressure to keep the capo down, the closer you get to the fret.
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Not only can you use familiar chord fingerings using a Capo, but you can use open tunings to really good effect and have open strings in any key.
Example - open D - DADF#AD -> Capo on 2 gives Open E, on 5 gives open G.
Best,
A :-)
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A capo will give you a brighter tone also, almost like playing a different guitar :D
I know these are "old" columns, but you might find them of help.
This one's called The Underappreciated Art of Using A Capo:
https://www.guitarnoise.com/article.php?id=2
And this one's about transposing, which can involve the use of capos:
https://www.guitarnoise.com/article.php?id=53
Peace
Thanks, I was looking for something like that. I had been working on the song"John Barley Corn" so those "old" columns came in handy---the dog
Thanks, I was looking for something like that. I had been working on the song"John Barley Corn" so those "old" columns came in handy---the dog
You're quite welcome. Sometimes I forget there's a lot more to this site than the forum! :wink:
Peace
Do you use a capo on classical guitar alan ?
Do you use a capo on classical guitar alan ?
Pieces written specifically for the classical guitar rarely (I can't say "never" because I will probably find out I'm wrong! :wink: ) use capos.
But that doesn't mean you can't use a capo on a classical guitar. I play a lot of songs of all styles on the classical guitar and, generally speaking, if I'd use the capo when playing the song on another guitar, I'll use a capo on the classical.
Of course, you want to use a capo designed for a classical guitar, meaning one that will comfortably and effectively fit over the wider fingerboard.
Peace
A capo will give you a brighter tone also, almost like playing a different guitar :D
I've noticed that. Why does it happen? Increased string tension?
I was trying out Hodge's Fields of Gold lesson over the weekend, with the capo on the 7th fret. My guitar had a very chimey, bright, bell-like tone that sounded great. Maybe I need to transpose everything I play ... :lol:
"Everybody got to elevate from the norm."
Thanks for the links David.
Stupid question, but based on that first link, capo at 7th fret turns a C into a G so I'd form the C just under the capo like I would for an open C from the nut? So the second string first fret would now be second string 8th fret correct?
I think this is slowly sinking into my apparently dense skull. :)
Thanks again everyone for the info. Excellent as always!
Jason
"Rock And Roll Ain't Noise Pollution"