Guitar Noise

Even if you managed to somehow get through your life and not hear the album, Thriller, you have certainly listened to music (not to mention musicians and songwriters) influenced by this best selling album of all time.

Some of you may agree with the “Easy” label, but our arrangement of this Bob Dylan favorite (from the album, “Nashville Skyline”) can be played very easily with the use of a capo, plus a very simple picking pattern. More important, though, is that is can be used as a great lesson to help you get used to switching between open position chords and basic barre chords. With some practice and patience, you should find yourself playing it well in no time.

Here is a rather faithful arrangement of the closing song from Bob Dylan’s immortal album, “Blood on the Tracks.” Using open D (or open E) tuning, as well as a steady (and incredibly easy) bass part, it’s easy to make this song sound really good. And, it’s excellent practice both for honing your finger picking technique as well as for developing a good sense of syncopation.

In our latest lesson in this series, we look at a basic rock progression and examine the choices we can make in terms of scales for soloing. Plus we get a look at the Mixolydian mode as well as discovering a new use for the Dorian.

What can you write about someone who, essentially, is a whole genre of music? About someone who posted in his high school yearbook that his ambition was to join Little Richard? About someone who’s latest recordings are as influential as the first ones he made close to fifty years ago?

Here’s a song arrangement that no one has to sing! Take aspects of “chord melody” arranging and mix them in with fingerstyle playing and you’ve got yourself a version of one of George Harrison’s terrific songs to perform. It’s not all that hard to learn and you can easily adapt it with your own embellishments and style.

I’m pleased to introduce a new series here at Guitar Noise, spotlighting the many, many musical Meccas in this wonderful world of ours. First stop - Nashville, Tennessee. And if you’re thinking, “That’s only country music,” you’ll soon realize that there’s a whole lot more going on!

If you’re going to play an emotionally charged song, you can’t hide behind a single strumming pattern. In this lesson we take one of the highlight songs from Pink Floyd’s “The Wall” and arrange it for a single guitar, using many strumming and crosspicking techniques we’ve gone over in our Guitar Noise Podcast series. You’re going to have a lot of fun with this one!

In honor of St. Patrick’s Day, here’s a Celtic arrangement of Lynyrd Skynyrd’s “All I Can Do Is Write About It” done in DADGAD tuning. A wonderful way to remember your home, whether home is in Alabama or Caledonia.

Before moving onward with modes, it’s important to grasp the concept of “target” notes as well as to understand that a target note doesn’t have to be a part of the chord in a chord progression. Here we’ll look at how single notes can used to create far more interesting solos than simply using “safe” notes.

Here’s an easy, yet slightly challenging take on a familiar strumming / picking pattern, featuring a fun Rolling Stones’ song that you’ll be playing well in no time at all.