Ha ha, my post got removed.I must have baroque the rules. 8)

Yeah,I'd say it's definately cut time.You all B# now,ya hear? :roll:

Blues just says: "Let's talk, here's what's going on". Blues is a lot of great things, but complex isn't one of them. That's a great way to look at...

One afternoon, a C, an E-flat, and a G walk into a bar.The bartender says to them, "Hey, we don't serve minors here."Dejected, the E-flat leaves.So t...

That's the wrong way to look at it. Play an open E chord and add that minor 3rd (or #9 as you call it). Don't sound too good does it? Dosen't sound t...

Theoretically speaking, why can we play the minor pentatonic over a normal major three chord I, IV, V progression such as rockers do? It sounds good t...

This thread = deja vu :roll: Modes are over-rated.They're easy to understand: a mode results from changing the tonal center of a major scale. If you...

I'm not sure what the hell it means but it probably has something to do with Satan. :?

Hey it's no skin off my nose.Do whatever you want with it Nick!

You could switch off between the "D Major(B minor) pentatonic" and the D minor pentatonic.Check out Hendrix's version of "Like A Rolling Stone"... I t...

Man....thanks gazillions for all this,Tom! :) I think I'll go off and "try" to comprehend some of this now and see if I can absorb some of it and hop...

Okay so from an improvisational standpoint when can you do this?Only over chromatic chords?I mean I understand melodies are written and then harmonize...

Tom,When you gave your 'proper modes usage' example in an earlier post you switched between C Ionian and C Lydian.Is this considered a key change or a...

I think this song is written around the D minor pentatonic using Major chords -> A F & D,not power chords.You could use the D minor pentatonic ...

Ha Ha that was cool. 8) ***That was a helpful post!***If you just play the scalewise mode and junk the 4th or 5th, you'll hear some ambiguity... if y...